what i'm reading wednesday 23/4/2025

Apr. 23rd, 2025 08:39 am
lirazel: A close up shot of a woman's hands as she writes with a quill pen ([film] scribbling)
[personal profile] lirazel
What I finished:

+ More than Words: How to Think About Writing in the Age of AI by John Warner, which I LOVED. When I say I recommend this book to everyone, I mean that I am following you around your house or place of employment with the book in my hand trying to push it into yours. That kind of recommendation.

This book just bursts with humanity, which is the highest compliment I can give a book. I love all the different things it's doing, weaving lots of strands together while still being fairly short, incredibly clear, and very readable.

The premise is, "People are saying that AI has killed the English class essay. How should we react to that?"

Warner's answer, "Good riddance to the English class essay!" (He has written an entire book about how terrible the 5-paragraph essay is that I can't wait to read.)

He starts with the question: "What is writing for?" To communicate, obviously, but that's not all. Writing is a way of thinking and feeling, and he talks about how important experience and context is to writing. He's very clear about how what AI does is not writing in the way that humans do and he's pretty forceful about how we need to stop anthropomorphizing a computer program that is incapable of anything like intention. He discusses what AI does and what it doesn't do, asking, "What are the problems it's trying to solve? Which of those problems is it capable of solving? Which can it definitely not solve?"

And he also asks, "Why do we teach writing to students? What do we want them to learn? And are our assignments actually teaching them that?" Warner, a long-time writing teacher and McSweeney's-adjacent dude, hates the way writing is taught and he's very persuasive in convincing you that we're going about it all wrong, teaching to the test, prizing an output over process, when the process is every bit as important as the output. He has lots of ideas about how to teach better that made me want to start teaching a writing class immediately (I should not do that, I would not be good at it, but he's so good at it that it energized me!) and I am convinced that if we followed his guidelines, the world would be a better place.

He also talks about the history of automated teachers and why they don't work and spends several chapters giving us ideas to approach AI with. He's like, "Look, if I try to speak to specific technologies, by the time this book is published, it'll all be obsolete and I'll look silly. So instead I'm going to give us a few lenses through which to look at AI that I think will be helpful as we make choices about how to implement it into society." He is a fierce opponent of the shoulder-shrugging inevitability approach; he wants us--and by us, he means all of us, not just tech bros--to have real and substantive discussions about how we are and aren't going to use this technology.

He's not an absolutist in any way; he thinks that LLM can be useful for some kinds of research and that other, more specific forms of AI could be really useful in contexts like coding and medicine. I agree! It's mostly LLMs that I'm skeptical of. He's very fair to the pro-AI side, steelmanning their arguments in ways that the hype mostly doesn't bother to do. (Most of the people hyping AI are selling it, after all.)

Throughout, he insists on embracing our humanity in all its messiness, and I love him for that. Basically this book is a shout of defiance and joy.

Here's some quotes I can't not share!

"Rather than seeing ChatGPT as a threat that will destroy things of value, we should be viewing it as an opportunity to reconsider exactly what we value and why we value those things. No one was stunned by the interpretive insights of the ChatGPT-produced text because there were none. People were freaking out over B-level (or worse) student work because the bar we've been using to judge student writing is attached to the wrong values."




"The promise of generative AI is to turn text production into a commodity, something anyone can do by accessing the proper tool, with only minimal specialized knowledge of how to use those tools required.. Some believe that this makes generative AI a democratizing force, providing access to producing work of value to those who otherwise couldn't do it. But segregating people by those who are allowed and empowered to engage with a genuine process of writing from those who outsource it AI is hardly democratic. It mistakes product for process.

"It is frankly bizarre to me that many people find the outsourcing of their own humanity to AI attractive. It is asking to promising to automate our most intimate and meaningful experiences, like outsourcing the love you have for your family because going through the hassle of the times your loved ones try your spirit isn't worth the effort. But I wonder if I'm in the minority."



"What ChatGPT and other large language models are doing is not writing and shouldn't be considered such.

"Writing is thinking. Writing involves both the expression and exploration of an idea, meaning that even as we're trying to capture the idea on the page, the idea may change based on our attempts to capture it. Removing thinking from writing renders an act not writing.

"Writing is also feeling, a way for us to be invested and involved not only in our own lives but the lives of others and the world around us.

"Reading and writing are inextricable, and outsourcing our reading to AI is essentially a choice to give up on being human.

If ChaptGPT can produce an acceptable example of something, that thing is not worth doing by humans and quite probably isn't worth doing at all.

"Deep down, I believe that ChatGPT by itself cannot kill anything worth preserving. My concern is that out of convenience, or expedience, or through carelessness, we may allow these meaningful things to be lost or reduced to the province of a select few rather than being accessible to all."




"The economic style of reasoning crowds out other considerations--namely, moral ones. It privileges the speed and efficiency with which an output is produced over the process that led to that output. But for we humans, process matters. Our lives are experienced in a world of process, not outputs."


et cetera

As I said on GoodReads, this should be required reading for anyone living through the 21st century.


+ I've also started a Narnia reread for the first time since I was a kid. I have now read the first two and I had opposite experiences with them: I remembered almost everything from The Lion, the Witch, and the Wardrobe and almost nothing from Prince Caspian. This is no doubt the result of a combination of a) having reread one way more than the other as a child and b) one being much more memorable than the other.

There were a few tiny details that I hadn't remembered from TLtWatW, like the fact that Jadis is half-giant, half-jinn or that it's textual that the Turkish Delight is magicked so that anyone who eats it craves more. But everything else was very clear in my mind: the big empty house, the lantern in the woods, Mr. Tumnus, the witch in her sleigh, the conflict over whether Lucy is telling the truth, the Beavers, Father Christmas, the statues, Aslan and the stone table, the mice and the ropes, waking the statues, etc. This book is so chock-full of vivid images and delightful details that truly it's no surprise that it's a classic. Jack, your imagination! Thank you for sharing it with us!

PC, on the other hand, is much less memorable, imo. Truly the only thing I remembered going in was the beginning where the kids go from the railway platform to Cair Paravel and slowly figure out where they are. That is still a very strong sequence! Oh, and Reepicheep! Reepicheep is always memorable! But there aren't nearly as many really good images in this one as in the first one.

That said, there were a few that came back to me as I read: Dr. Cornelius telling Caspian about Narnia up at the top of the tower, the werewolf (it's "I am death" speech is SUPER chilling), everybody dancing through Narnia making the bad people flee and having the good people join. And Birnam Wood the trees on the move! Tolkien must have loved that bit! I'd forgotten that Lewis did it too!

It seems really important to Lewis that there be frolicking and dancing and music as part of joy, and I love that. Both books include extended scenes where the girls and Aslan and various magical creatures are frolicking. There's also a very fun bit where Lewis describes in great detail the different kinds of dirt that the dryads eat which adds nothing to the story but is so weird and fun that you don't mind. He clearly had a blast writing that sequence.

But still, this book just isn't nearly as compelling as the first one, imo. It's fine! I don't dislike it! But it doesn't fill me with warm fuzzies the way the first book does.

Both of the books are told in a style that is very storyteller and not novelist. The narrative voice is absolutely that of an adult telling a child a bedtime story, which is charming and also absolutely the reason so many people have so many formative memories of being read these books aloud. They lend themselves to that so well!

But of course the down side is that there's very little real characterization. On the whole, this is fine, because that's not the point. But it does make me appreciate writers who can do both even more. There is character conflict (should we believe Lucy? Edmund's whole arc; etc.) but the characters are very loosely sketched. What do I know about Caspian except that he thinks Old Narnia is super cool? Not much! Frankly, the dwarves in book 2 are, besides Reepicheep, the strongest characters.

I actually think the Aslan dying for Edmund bit is not as heavy-handed as it could have been as an allegory. Like, yes, it's very much matches up the Passion story, but the idea of a character dying in another's stead is universal enough that I can see how those who weren't familiar with the New Testament just totally accepted it and didn't find it confusing.

I found the sequence in PC where Lucy is the only one to see Aslan much more heavy-handed in a "you must be willing to follow Jesus even if no one else will go with you" kind of way. There were a few lines that made me say, "Really, Jack? You could have dialed that down a notch." I do super like that Edmund was first to see him after Lucy though!

So yeah, I look forward to seeing how I feel about the coming books. I remember the most of Dawn Treader and am looking forward to Silver Chair more than the others. The only one I'm dreading is Last Battle, for obvious reasons.

What I'm currently reading:

+ Voyage of the Dawn Treader! The painting of the shiiiiiiiip.

Wednesday Reading Meme

Apr. 23rd, 2025 08:13 am
osprey_archer: (books)
[personal profile] osprey_archer
What I’ve Just Finished Reading

Agnes Hewes’ The Codfish Musket, third and last in her trio of boring 1930s Newbery Honor winners. I can only imagine that the committee felt that the “Rah rah MANIFEST DESTINY” message was good for the Youth, because my God these books are dull. How can books be so dull when there are so many deadly conspiracies?

But maybe it’s because Hewes is actually not great at deadly conspiracies. The best part of this book by far is the non-deadly middle, when our hero Dan Boit goes to Washington and accidentally becomes Thomas Jefferson’s secretary after he finds Jefferson’s lost notebook full of observations about when the first peas come up and the frogs start peeping.

In modern-day Newbery Honor winners, I finished Chanel Miller’s Magnolia Wu Unfolds It All, a short and charming tale in which Magnolia and her new friend Iris try to return orphaned socks from Magnolia’s parents’ laundry to their owners. In the process, they explore New York City and learn more about the denizens of their neighborhood.

I also read Susan Fletcher’s Journey of the Pale Bear, about a Norwegian boy accompanying a captured polar bear to England as a present for the king. If this sounds familiar, it’s because Fletcher wrote a related picture book, but that focuses more on the bear’s experiences, while this is more about the boy and the boy-meets-bear of it all. Who among us has not wished for a bear friend!

What I’m Reading Now

In Our Mutual Friend, Lizzie Hexam’s father has DIED. This may be a lucky escape for him, as he was about to be arrested on suspicion of murder (at the word of his wicked lying former business partner), but I’m very concerned what will become of poor Lizzie.

My suspicion that Mr. Rokesmith is in fact the dead John Harmon has only grown stronger as he has insinuated himself in the Boffin household as an unpaid secretary. What is his ultimate goal here? A more suspicious soul than Mr. Boffin might wonder who on earth would offer himself up as a secretary without pay, and consider the possibility of embezzlement, but blessed Mr. Boffin is not concerned a bit.

What I Plan to Read Next

Onward in the Newbery books! I am ten books from the end of the historical Newberies, and I intend to finish the project while Interlibrary Loan is still alive.

Fandom stuff

Apr. 22nd, 2025 08:23 pm
snickfic: (Giles bookish)
[personal profile] snickfic
- I signed up for [community profile] seasonsofdrabbles. Come join me! So I have someone to write for.

- After my first [community profile] hurtcomfortex idea got increasingly complicated with less and less direct h/c, I now have a new idea that is directly h/c and much simpler. Which is great, because I can tell it's going to be a long 'un. (That's why the writing period for this exchange is so long, right? Because h/c takes lots of words??) So now I have 400 words, and the deadline isn't for like six weeks! Woo!
musesfool: (shakespeare got to get paid son)
[personal profile] musesfool
Today's poem:

I Have News for You

There are people who do not see a broken playground swing
as a symbol of ruined childhood

and there are people who don't interpret the behavior
of a fly in a motel room as a mocking representation of their thought process.

There are people who don't walk past an empty swimming pool
and think about past pleasures unrecoverable

and then stand there blocking the sidewalk for other pedestrians.
I have read about a town somewhere in California where human beings

do not send their sinuous feeder roots
deep into the potting soil of others' emotional lives

as if they were greedy six-year-olds
sucking the last half-inch of milkshake up through a noisy straw;

and other persons in the Midwest who can kiss without
debating the imperialist baggage of heterosexuality.

Do you see that creamy, lemon-yellow moon?
There are some people, unlike me and you,

who do not yearn after fame or love or quantities of money as
         unattainable as that moon;
thus, they do not later
         have to waste more time
defaming the object of their former ardor.

Or consequently run and crucify themselves
in some solitary midnight Starbucks Golgotha.

I have news for you—
there are people who get up in the morning and cross a room

and open a window to let the sweet breeze in
and let it touch them all over their faces and bodies.

--Tony Hoagland

*

We're the talk of the town

Apr. 22nd, 2025 04:33 pm
sovay: (Claude Rains)
[personal profile] sovay
Apparently if permitted to sleep for nine hours, my brain presents me with a cheerfully escapist dream of meeting Dirk Bogarde at a film festival and then spending the rest of the afternoon perusing his library and forgoing dinner in favor of sailing, which was probably more my idea of a good time than his, but I like to think if I hadn't woken when I did, he'd have introduced me to Anthony Forwood.

Red Boar's Baby

Apr. 22nd, 2025 01:10 pm
sholio: bear raising paw and text that says "hi" (Bear)
[personal profile] sholio
As is my usual practice, my latest book as Lauren is available for download for my DW circle for the next week or so!

cover shows a man holding an infant

Download from Bookfunnel.

The download will be up until the book goes live on Amazon on May 2.

(Technically this is Shifter Agents #6, but it's a standalone that shouldn't require any context to read.)

Another thought about B5 5x18

Apr. 21st, 2025 11:11 pm
sholio: (B5-station)
[personal profile] sholio
I will be going back to answer recent comments, but first, one more stray B5 thought with spoilers through 5x18.

Tying up a loose end )

The movie Flow

Apr. 22nd, 2025 12:18 am
asakiyume: (far horizon)
[personal profile] asakiyume
Maybe you've seen the trailer for this wordless animated film about a black cat in a post-human world. (If not, here's a link.) The visuals were so evocative and beautiful--and the cat so like my own cat--that I was very excited to see it.

Yesterday I did see it, and it was indeed beautiful to look at ...

but... )
sovay: (Sydney Carton)
[personal profile] sovay
Still toast. Successfully collected my father from the airport two nights ago. Would like my capacity for movies to get back online before I run out of month in which to write about them. Would also like our next-door neighbor to have ceased to use loud air-whining machineries after seven p.m.

I saw the news of the death of Pope Francis. If it was going to be one of his last public statements, the construction site of Hell was an incredibly metal image to go out on.

I was not expecting to see the news that Willy Ley had been found in a can in a co-op on 67th Street. The idea of sending his ashes to space is completely correct and I wouldn't put SpaceX anywhere near that gesture. I could rewatch Frau im Mond (1929) for his memory.

Playing Stan Rogers' "Macdonnell on the Heights" (1984) for [personal profile] spatch may actually have counter-observed Patriots' Day, but my point still stands that the song has successfully superseded its chorus, or at least one in ten thousand seems to underrate Rogers' influence.

Personally I would ask Nigel Havers about the 1986 LWT A Little Princess.

this picnic is no picnic

Apr. 21st, 2025 06:08 pm
musesfool: Princess Leia (so what level up)
[personal profile] musesfool
Monday miscellany:

- So what are the odds we get an antipope this time in addition to a pope?

- Sepinwall gave season 2 of Andor a good review (minor spoilers, I guess) - the first 3 episodes drop tomorrow and it sounds like they are doing 3 episodes a week for 4 weeks, as each one comprises a mini-arc. Trying not to get spoiled on the internet is sure to be a nightmare.

- I haven't done the AO3 stats meme regularly since 2018 because not much changes in my top 10. In 2021, however, I made note of some up-and-comers in the 11-20 slots, and it turns out that as of 4/20/25, Post Hoc, Ergo Propter Hoc (i.e., the one where Dick convinces Jason to stop killing through the power of hugs) has crept into the top 10 by hits - it's number 9! (It looks like Our history is just in our blood (history, like love, is never enough) (the Steve/Bucky remix AU where Steve finds Bucky working as a barista) is the one that fell out of the top 10.)

Post Hoc, Ergo Propter Hoc also made inroads into the top 10 by kudos, landing at number 5! Additionally, 2 Star Wars stories also found their way into the top 10 by kudos: There's Still Time to Change the Road You're On (in which Anakin time travels to the post-RotJ era and meets his kids) at 6, and deep as a secret nobody knows (AU where Leia tells Vader she's Padme's daughter and it changes everything) at number 8!

The 3 Avengers stories that dropped are again, Our history is just in our blood (history, like love, is never enough), plus Even a Miracle Needs a Hand (Clint/Darcy fake Christmas boyfriend), and with the lights out, it's less dangerous (Steve/Bucky, then and now).

According to these posts, I did not previously do the full list by comments, but I will note the appearance of deep as a secret nobody knows at number 3 on the comments list, and another Vader-and-Leia AU, Just a Little Bit of History Repeating, at number 10, with the VMars/Avengers crossover we travel without seatbelts on sitting pretty at number 7.

So I guess given enough time, these things CAN change.

- Today's poem:

Nothing Will Warn You
by Stephen Dunn

Nothing will warn you,
not even the promise of severe weather
or the threats of neighbors muttered
under their breath, unheard by the sonar

in you that no longer functions.
You'll be expecting blue skies, perhaps
a picnic at which you'll be anticipating
a reward for being the best handler

of raw meat in a county known
for its per capita cases of salmonella.
You'll have no memory of those women
with old grievances nor will you guess

that small bulge in one of their purses
could be a derringer. You'll be opening
a cold one, thinking this is the life,
this is the very life I've always wanted.

Nothing will warn you,
no one will blurt out that this picnic
is no picnic, the clouds in the west
will be darkly billowing toward you,

and you will not hear your neighbors'
conspiratorial whispers. You'll be
readying yourself to tell the joke
no one has ever laughed at, the joke

someone would have told you by now
is only funny if told on yourself, but no one
has ever liked you enough to say so.
Even your wife never warned you.

***

Face the Dragon, by Joyce Sweeney

Apr. 21st, 2025 11:59 am
rachelmanija: (Books: old)
[personal profile] rachelmanija


In this YA novel published in 1990, six fourteen-year-olds face their inner dragons while they're in an accelerated academic program which includes a class on Beowulf.

I read this when it first came out, so when I saw a copy at a library book sale, I grabbed it to re-read. It largely holds up, though I'd completely forgotten the main plot and only recalled the theme and the subplot.

My recollection of the book was that the six teenagers are inspired by class discussions on Beowulf to face their personal fears. This is correct. I also recalled that one of the girls was a gymnast with an eating disorder and one of the boys was an athlete partially paralyzed in an accident, and those two bonded over their love of sports and current conflicted/damaging relationship to sports and their bodies, and ended up dating. This is also correct.

What I'd completely forgotten was the main plot, which was about the narrator, Eric, who idolized his best friend, Paul, and had an idealized crush on one of the girls in the class, who he was correctly convinced had a crush on Paul, and incorrectly convinced Paul was mutually attracted to. Paul, who is charming and outgoing, convinces Eric, who is shy, to do a speech class with him, where Eric surprisingly excels. The main plot is about the Eric/Paul relationship, how Eric's jealousy nearly wrecks it, and how the boys both end up facing their dragons and fixing their friendship.

Paul's dragon is that he's secretly gay. The speech teacher takes a dislike to him, promotes Eric to the debate team when Paul deserves it more (and tells Eric this in private), and finally tries to destroy Paul in front of the whole class by accusing him of being gay! Eric defends Paul, Paul confesses his secret to him, and the boys repair their friendship.

While a bit dated/historical, especially in terms of both boys knowing literally nothing about what being gay actually means in terms of living your life, it's a very nicely done novel with lots of good character sketches. The teachers are all real characters, as are the six kids - all of whom have their own journeys. The crush object, for instance, is a pretty rich girl who's been crammed into a narrow box of traditional femininity, and her journey is to destroy the idealized image that Eric is in love with and her parents have imposed on her - and part of Eric's journey is to accept the role of being her supportive friend who helps her do it.

I was surprised and pleased to discover that this and other Sweeney books are currently available as ebooks. I will check some out.

Stork Flash!

Apr. 21st, 2025 09:45 am
snickfic: pink seahorse!girl nuzzling pregnant green seahorse!boy (mpreg)
[personal profile] snickfic
[community profile] storkswap didn't run this year, but we did get a flash exchange in its place, which tbh was exactly the right size of commitment for me personally just now. I wrote and received things!

I received:
the cradle will rock by aguntoaknifefight ([archiveofourown.org profile] swirlingvoid), Hell Hole (2024), Sofija/Teddy, 1300 words. Remember that tiny horror movie I wrote about a while back with the parasitical tentacle monster that wants to incubate in men's stomachs? I did a short canon promo in my signup, and someone WATCHED IT and wrote me post-canon fic for the very cute het ship and their very alarming monster incubation situation. I love the mix of sweetness and unease in this.

And I wrote:
old hat, new hat, Junior (1994), Alex/Diana, 700 words. Sometime after the movie, Alex is pregnant again, and he and Diana have feelings about how it's going to be different from the last time. You will unsurprised to hear that I absolutely adore this movie, and I was ecstatic to see someone request it. I liked letting them get to enjoy a pregnancy moment together that Alex had to experience alone the first time around.

Catching up on various shows

Apr. 21st, 2025 06:19 pm
selenak: (Demerzel and Terminus)
[personal profile] selenak
Daredevil Reborn: overall, good finale. I'm not shipping anyone on this show (or its predecessor), but I was amused, given that Luke Cage managed to make "coffee" a synonym for sex back in the Netflix day for all the Marvel shows, that Frank expressed the wish for coffee with both Matt and Karen. (Not at the same time.) On a more serious note, the finale evidently went for an Empire Strikes Back vibe in that spoilery stuff happens )

Wheel of Time S3 finale: speaking of Empire Strikes Back vibes... Though in this case just in one plot line. Okay, two, technically. (The second one being Team Elayne, Matt, Min and Nyneave not gaining what they wanted to, but what Nynayve did get was so important that I hesitate to equate this with the goings on at the White Tower.) This, too, is based on a book series written many years ago, and was shot way back when yours truly hoped the world would be less insane in 2025 than it actually is, but can't help but feel extremely on point with its spoiilery stuff )

Doctor Who ?.02: amusingly weird, technically impressive, everyone looks gorgeous in their costumes. But Fourth Wall Breaking stories are not really my thing, and so I can't say I loved it.

Book Review: Dido and Pa

Apr. 21st, 2025 10:44 am
osprey_archer: (books)
[personal profile] osprey_archer
I am happy to report that Joan Aiken had mercy after all, and started Dido and Pa with the reunion between Dido and Simon which she denied us at the end of The Cuckoo Tree. At long last they see each other again! They are delighted to be reunited and have a lovely supper at an inn.

However, their reunion is short-lived, as Dido hears a song that reminds her of her father’s tunes. She goes out to investigate (musing all the time that her father never played for her, not once, in her entire childhood) and runs into her father, who informs her that her sister is extremely ill! and wants to see her! so just get into this carriage and stop asking questions!

You will be unsurprised to hear that Dido’s sister is not ill. Indeed, Dido’s father has no idea where Dido’s sister is. He is kidnapping Dido to make her take part in another wicked Hanoverian plot. This plot has been slightly complicated by the fact that the last Bonnie Prince Georgie just died, oops, so the Hanoverians no longer have a contender to the throne, but never fear! They will come up with a way to plot wickedly anyway.

(I was reading a history book the other day which mentioned Hanoverians and I needed to pause a moment to remember that Hanoverians are (a) real and (b) not constantly wickedly plotting in real life.)

Dido’s father starts this book as a terrible father and only goes downhill from there. He is also music master to the Hanoverian ambassador and actually a wonderful musician and composer, which causes Dido painful confusion. How can he be such an awful person and such a wonderful artist? I feel you, Dido. If only the two were incompatible, things would be much easier for us all.

But he continues to be the worst, up to and including walking whistling away from a burning building with over a hundred children in the basement, while also being such an amazing musician that his music actually has healing properties. (Pity Queen Ginevra in The Stolen Lake didn’t discover the life-extending properties of music rather than porridge made from the bones of children.) Beneath the barmy plots, Joan Aiken is a stone-cold realist about the contradictions of human nature.
silverflight8: Jack and Daniel from AC in the office looking at evidence (Jack and Daniel office)
[personal profile] silverflight8
This is one of the earlier novels that Bujold wrote, and it shows a bit in the prose, but not in the plotting. I think it’s much like Cetaganda in the premise – off-world adventure, Miles refuses to tell his superiors about what he’s doing (oh Miles). The setting of Earth I feel fairly neutral about. London isn’t that interesting, but neither is it a detriment. They’re more like Beta in terms of not letting people carry around deadly weapons, and their tube system is still very good (hooray!) Or maybe I overstate Barrayar’s allowance of lethal weapons – Miles is after all not a civilian and on his home turf.

Brothers in Arms )

Recent reading

Apr. 20th, 2025 08:26 pm
troisoiseaux: (reading 4)
[personal profile] troisoiseaux
Read A Gallery of Rogues by Beth Lincoln, sequel to The Swifts: A Dictionary of Scoundrels, collectively a rollicking middle-grade series about young Shenanigan Swift and her sprawling extended family of nominatively-determined eccentrics— and, in this one, the Swifts' estranged French relatives, the Martinets. And a gang of theatrical art thieves! And an Interpol agent who is the long-standing ~nemesis~ of Shenanigan's uncle Maelstrom! Once again, this book feels like was written specifically to appeal to my 10-year-old self - it somehow reminds me of a whole bunch of memorable MG books circa the mid-2000s, including The Mysterious Benedict Society, Lemony Snicket, The Willoughbys (by Lois Lowry, apparently??), and Roxie and the Hooligans, with the added bonus of being casually, joyfully LGBT-affirming and diverse - but I don't actually begrudge it for arriving two decades late.

Read The Novices of Lerna by Ángel Bonomini (and translated from Spanish by Jordan Landsman), a collection of short stories I picked up after hearing about the titular novella, in which a young man is offered a secretive academic fellowship alongside - it turns out - his twenty-three doppelgängers. I'd actually gotten my wires slightly crossed and assumed that this book was only the titular novella - which I had also assumed was, like, an actual novel? - so the short stories were a surprise, but they were great: lyrical, atmospheric, and strange, with a tendency to end on an abrupt, unsettling note that rattled around my head for a while afterwards.

(no subject)

Apr. 20th, 2025 07:45 pm
lirazel: CJ Cregg from The West Wing and the text "Wow are you stupid" ([tv] wow are you stupid)
[personal profile] lirazel
I'm having a thought and I need to write it out to see whether I agree with myself.

I'm reading More Than Words: How To Think About Writing in the Age of AI by John Warner, which is excellent (review to come on Wednesday) and a certain chapter combined with a topic that's been on my mind lately, creating a realization that is shaking me.

A thing I keep coming back to again and again lately is that the determining aspect of the current administration is their definition of strength, which seems to be standing alone. Being totally independent. You see this in Trump, et al.'s foreign policy, in which the end goal seems to be to completely alienate all other nations of the world. This is obviously a profoundly stupid idea because it's self-defeating. But it makes sense if you believe that any dependence whatsoever on another is weakness. This is why they hate the idea of a give-and-take, we-both-benefit arrangement, even though that is objectively the best way for human individuals, societies, and nations to operate. They don't even want the US to have less-powerful allies that are dependent upon us (think NATO) because if anyone else benefits, then that shows weakness in us. Hence: tariffs. This is a worldview in which anyone else getting anything means that we are being taken advantage of.

The one exception to this is having people grovel. These guys, especially Trump, love when people grovel because it feeds their egos. The only acceptable kind of relationships to have are with enemies and bootlickers. Period.

They have a horror of responsibility, and these two relationships are the only two that don’t require them to be responsible to or for anyone else.

This is all deeply related to gender, since strength = masculinity, so masculinity = standing alone. Any kind of cooperation or symbiotic relationship or even just mutual exchange is female-coded and so both weak and contemptible.

Anyway, I've been thinking about all that, and then I've been reading this book, and I came to a chapter where Warner talks about educational technology and how the past century or so has been the story of one person after another trying to invent a "teaching machine" to solve the "problem" of education. Warner asks, reasonably: "What is this problem they are trying to solve?"


"...the 'problem' the teaching machines are trying to solve is the inherent variability and messiness of learning. In order to circumvent these challenges, the students must be changed from a human into a product. Once students are a product, we can use our machines to shape them.

"The teaching machines keep failing because humanity gets in the way. For the teaching machine to succeed, we will have to decide that some aspects of our humanity are unimportant or inherently flawed, leaving us better off if we're governed by the outputs desired by the machines."


I read this, and it all came together. (Which would delight Warner because the book is about how reading and writing are ways of thinking and feeling and cannot be banished in favor of mere information-intake.)

The thing holding the tech bros and the MAGA politicians together, besides their lust for money and power, is hatred of human-ness.

These people share a profound, worldview-determining antisocial-ness that drives everything they do. They hate humans. They hate being human. They hate when other people are human.

They want to turn people into productivity machines or obedient automatons. They don't want people to be people.

They hate the messiness, the time it takes to do all the things that make us human. They hate the way it requires cooperation and inefficiencies like mistakes. They actually hate learning, wanting to replace it with a system that's similar to a computer downloading a new program. They hate art because they think it's a waste of time and its only purpose is as a little "treat" to incentivize us to work harder. They hate actual relationships because those require vulnerability, dependence, and sacrifice. Most of them actually seem to hate sex except as a way of asserting (violent) power over others. They view children not as human beings but extensions of themselves.

Underneath all this, I think there must be either a profound fear of and/or rage against vulnerability and aging, so it's no surprise that these people are also obsessed with living forever and "optimizing" their health. They are constantly fighting the human body and the human mind. Probably because they're scared of death.

Now, we're all scared of death. But most of us throughout human history have been wise enough to know that the solution to that is community. Make your mark on other people, leave a legacy, plant trees for your grandchildren to sit under. Leave people who will remember you fondly. Maybe even leave some art that will move generations to come. But that view of the world is being increasingly undermined by our culture's values and incentives.

Our culture has been on a trajectory towards this for a long time. When you view the world as a market, when productivity, efficiency, out-puts, and end-products are the only things that matter, you are going to end up hating human beings because we cannot be reduced to these things no matter how or corporate and political and technological overlords try.

If you look at it this way, fascism and the AI/crypto/NFT hype are both declarations of war against our humanity. I'm sure there's a literature about fascism as hatred of humanity, though I am not knowledgeable about it. But these AI people really seem to believe that a machine will be better than a human. And why shouldn't they think that? Humans require food and rest and songs and hobbies and mistakes and negotiations and cuddles and sex and art and time, and if you don't value any of those things, of course a machine that is purely focused on the most efficient output is an upgrade.

This realization makes Severance more relevant to me, since the central technology of that show is creating a way to outsource all the pain/monotony/discomforts of life so you can skip right to the "good stuff." This, of course, reveals that the creators do not understand that the messiness of life, all the friction and grit, are the point, and that we are not human without them. But if you don't want to be human, of course you'll figure out ways to jettison these things.


Understanding all of this makes me understand why I so viscerally hate the AI hype. I do think there are some limited ways in which AI could be very helpful, but the hype isn't that. The hype is, "You won't have to write! You won't have to do your own research! You won't have to take the time to learn an instrument! You don't have to be human! Think of all the time you'll save!" And that hype never once acknowledges that if you do save that time...there will be nothing worthwhile to use it on. What is the center of their view of a good life? Nothing. They don't think about it. There's no there there. It's productivity and efficiency for its own sake; it's capitalism taken to the ultimate extreme.

No wonder I hate it.



And now that I've written all that out, doing my thinking through the practice of writing, I see that I do think I'm right. Probably I am just slow and y'all have all realized all this long before I did. But it's a profound realization for me, and it leaves me more energized to fight against both fascism and technocracy. The most terrifying thing about our current moment is that the people who have the most power to shape our lives and the future of humanity are the people who hate humanity the most. They are the most immature, foolish, and thoughtless people imaginable. We can't let them win.

Yet more thoughts on B5 5x17-18

Apr. 20th, 2025 12:30 pm
sholio: (B5-station)
[personal profile] sholio
Now that I've processed a bit, a few more random comments.

Mostly about You Know and Who, obviously )

Happy Easter! (?!)

Apr. 20th, 2025 02:40 pm
caitri: (Default)
[personal profile] caitri
So it's spring now. I am still snowed under. I took a long weekend just because and spent more of it napping than I meant to.

Me: I don't know why I'm so tired.
Friend: You have a lot going on, and also the Fascism.
Me: ... Yeah that would do it.

Mom was briefly in the hospital with a UTI, her vitals were stable, but she still had to ham it up, "WHY are you asking about my HEALTH INSURANCE? Can't you SEE I am on my DEATH BED?!"

I have a doctor's appointment on Tuesday morning and I am going to ask him about anti-anxiety meds. (I'm on some mild anti-depressants but the anti-anxiety could be nice.) I am trying to deal with the capitalism in my brain scolding me about all the things I am behind on when in fact I do a lot and have more than earned a break.

I hope all of you are as safe as can be. Don't let the bastards grind you down.

Kidnapped (Walt Disney, 1960)

Apr. 20th, 2025 05:25 pm
regshoe: Black and white illustration of a man swinging from a rope below the bow of a ship; illustration from 'Kidnapped' by Louis Rhead (Alan)
[personal profile] regshoe


I like that poster very much, so I thought you ought to see it. :D Made in 1960, the Disney-film take on Kidnapped stars James MacArthur as David and Peter Finch as Alan, and was written and directed by the very aptly-named Robert Stevenson (no relation).

Thoughts on this dramatic-looking film... )

On the whole, then, I'd rank this film around the middle amongst the Kidnapped adaptations I've seen so far. I would recommend it; it's good fun and it has its points; but it's not brilliant, and it doesn't quite do the characters justice.

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