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For the most part I've spent this month flitting from book to book, starting a bunch and finishing a few; I also can't clear out the brainspace for posting separate reviews. Partly I think this is just a general lack of energy problem--our summer program just started at work and even though class numbers are way down there's still the fact that our boss, in her infinite wisdom, decided that the only break summer staff needed after an entire school year was one long weekend--but I also tend to lose focus for reading when I'm writing a lot or watching a lot, so things do balance out eventually. 

Eventually. 

Over the Juneteenth weekend I finished two books--Eight Days of Luke by Diana Wynne Jones and the third Mary Russel mystery, A Letter of Mary. Luke has been on my backburner TBR for a while, and I polished it off in just a couple of days; it has a little bit of everything that makes Diana Wynne Jones books catnip for me: a put-upon and lowkey incredibly sarcastic main character, terrible relatives, a terrible relatives who turns out to have a surprisingly not-terrible side to them, magic interacting with the everyday world in wacky but mostly uncommented on ways, and a funny but clear-eyed view of human nature.

A Letter of Mary continues the series trend of being mostly character-focused, with an incredibly immersive setting and voice. The resolution to the mystery is unsatisfying in a way I can't quite put my finger on, though it possibly has to do with certain hints about the murder's motivations being dropped out and then never fully explored, or at least not explored in the kind of detail I was hoping for. But there is a very good red herring, and again, I really don't come to these books for the mysteries. 

Right now, I'm about halfway through The Last Place You Look by Kristen Lepionka, a hardboiled private eye mystery with a narrator (Roxane Weary) who has a little bit of Jessica Jones and a hint of Cass Neary to her; she's a hard-drinking mess not getting over the death of her police officer father, trying to track down a missing woman whom she doesn't believe is actually alive and stumbling on a possible serial killer case along the way. This one has a great voice and flow to it, and I'll probably be finishing it next. 

Next...who knows? I've got a decent backlog of books to finish, but I may keep ignoring those and start something completely different. Or not. I would really, really like to get back into The Institute, my current Big Fat Stephen King Book. 
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Another Random Old Children's Book picked up at a secondhand bookstore--I'd never finished anything by Vivien Alcock before but remembered coming across a couple of her books in the children's section of my old library back in the day. They all had interesting, weirdly haunting titles, like Singer to the Sea God

The Stonewalkers is also interesting and weirdly haunting, and very, very creepy. The plot kicks off when Poppy, a girl with a difficult relationship with her mom and a habit of lying, witnesses the stone statue she's kinda-sorta befriended, Belladonna, get struck by lightening and then painfully come to life. At first, Poppy's excited that one of her unbelievable stories is actually true, but Belladonna is...off. Aside from obviously being a statue who shouldn't be traipsing around in the first place, she's both uncomfortable in Poppy's world and jealous of it, and before long she's making her own plans. Plans that don't bode well for Poppy. 

Recently I've been stuck in a cycle of rewatching Woodlands Dark and Days Bewitched: A History of Folk Horror, a LONG documentary that's very expansive with its definition of folk horror (The Wicker Man? Obviously. Picnic at Hanging Rock? Why not? Candyman? Sure, you could make that argument!). The Stonewalkers slides right into that sure-why-not slot of folk horror with its rural setting (a moor somewhere in northern England, I think), outsider protagonist (Poppy's the new kid at school), and creepy statues reanimated by some form of ancient magic Poppy doesn't understand (she made Belladonna friendship bracelet out of some old chain she found in an ancient jar in her mom's employer's basement). It also has a great and believably tough mother-daughter relationship--Poppy and her mother aren't especially likable or easy to get along with, but the fact that they recognize that about themselves doesn't necessarily make them nicer to each other. 

This was a good one--I'd love to read more Alcock in the future. 

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Emily Canfield always got whatever she wanted. When she wanted the moon, her father bought her a reflecting globe and installed it in the family's garden. When she wanted her parents, her father insisted that he and his wife cut their trip to New York short and come home to be with Emily. When Emily wanted to marry her childhood best friend, she wrote up a contract and forced the poor kid to sign it in blood. And when that best friend had had enough of her, Emily drenched herself in water, opened up her bedroom window, and sat until the freezing water and winter weather gave her pneumonia, and she died. 

Years later, Emily's orphaned niece, Jane, and Jane's aunt, Louisa, come to spend the summer at the Canfield's house. Emily's mother Lydia is the only original Canfield still alive; her husband died soon after Emily and her son, Jane's father, was killed in a freak buggy accident. But another presence in the house fixes on Jane, and on moonless nights the old globe in the garden starts to glow...

A short, fun Gothic that seems to have always been marketed for kids, which is interesting since the narrator (Louisa) is eighteen, the book's true main character (Lydia) is "elderly" and "awe-inspiring" (So...fifties? Sixties?), and if I had to sum Jane-Emily up in one sentence it would be "Some kids just suck."

To be fair, "Some kids just suck" is a common theme in children's literature, but I've racked my brain and I cannot remember a single kid character quite as poisonous as Emily. She never appears, either in the flesh or flashbacks; Louisa picks up her story in bits and pieces from Lydia and Emily's childhood friend, Adam Frost, and from Jane's increasingly creepy "Emily-incidents." But Emily's presence is all over the house, from the dark, stuffy attic where her dolls are packed away (including one whose wax face she melted off) to the garden, where her reflecting ball becomes a nexus of all the creepiness. 

Emily also had an especially sinister relationship with her father, who "adored' her more than his own wife. Jane-Emily's final confrontation comes down to Lydia finally standing up to her daughter, something she was never able to do during Emily's life. 

I remember dipping in and out of a couple other Patricia Clapp books as a kid, including Witch's Children, which is historical fiction but, if I'm remembering right, shares some of the same Gothic spookiness as Jane-Emily. Based on how much I enjoyed this one--it didn't scare me the way it probably would have if I'd read it back then, but I ate up the whole thing in just one day--maybe it's time for a reread. 
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A couple weeks ago my roommates got to make a trip to The Book Thing, a warehouse full of donated books in Baltimore where once a month you can come in and pick out as many books us you want for free.  (Technically, there's a limit of 150,000 books per person per day, but GEEZ.) There's also a one-hour time limit; my roommates still managed to grab a whole bunch of books. Some of those were for me, including two in one of my favorite categories, Random Old Children's Books.

Here they are: 

A Chill in the Lane by Mabel Esther Allan
An atmospheric, not especially spooky ghost story set in Cornwall. On vacation with her family, Lyd begins experiencing visions of a cottage in the woods that isn't actually there, and starts to suspect it might tie back to her Cornish heritage--Lyd is adopted, and her parents, especially her father, would rather not talk about her biological family. That huge red flag aside, Lyd's parents are actually much more supportive than secretive adoptive families in ghost stories usually are. It's sweet but doesn't make for tense reading. But this is more of a family story with some light Gothic/ghost story elements. 

(This book also has a list of "Other Good Books for Girls" on the back. One of them, Tina and David, gets this kicker of a blurb: "[...] beautiful and exquisitely tasteful. Mrs. Tate has proved that a good book for the young can be written without sex, crime, or drugs.")

Nightbirds on Nantucket by Joan Aiken
A reread and an old favorite. This is the third book in Aiken's Wolves of Willoughby Chase series. The first book is a pretty standard pastiche of 19th century children's lit with a little bit of alternative history thrown in--at least that's how I remember it; it's also my least favorite book in the series--and every book after gets weirder and weirder. 

Nightbirds isn't quite peak Aiken weirdness, but it's getting there. Dido Twite, the closest this series has to a central heroine, wakes up after a months-long coma on a whaling ship headed, eventually, for Nantucket. Captain Casket only cares about chasing an elusive pink whale, but he promises Dido passage home if she can keep his daughter, Dutiful Penitence, company. This apparently includes staying with Dutiful Penitence and the girl's aunt, Tribulation, on Nantucket for a couple of months. 

Dutiful Penitence ("Pen"), doesn't have good memories of her aunt, and once the girls arrive in Nantucket they figure out that Tribulation is still a piece of work, staying in bed the whole day and running them ragged with chores. Dido also discovers a black dress and pair of bottle-green boots hidden in the attic, and begins to suspect that Aunt Tribulation isn't who she says she is. 

Part of the fun of this book is that, even though she's stuck in an objectively terrifying situation--holed up on an isolated farm with an imposter--Dido refuses to let Aunt Tribulation scare her. Here's a typical interaction between them: 
Aunt Tribulation, when she did come down, was very angry. "How dare you disobey me, insolent girl!" she thundered, looking about for her stick. But Dido, accustomed to self-preservation in the hubbub of the London alleys, had prudently removed the stick, chopped it up, and burned it in the stove. Aunt Tribulation boxed her ears instead, and told her to go and sit on the whale's jawbone for two hours, reciting, "I must not be a naught, insubordinate girl."

This Dido did not at all mind doing.

My reading tracker has a space for recording each book's genre. For this one I went with "Aiken."
maplemood: (bookish)
I reread two of my old-favorite, middle-grade/young adult historical fiction novels, The Beaded Moccasins: The Story of Mary Campbell and The Ransom of Mercy Carter. Both are about real-life colonial girls who were kidnapped and eventually assimilated into Native American tribes in the 1700s, and I was both glad and, to be honest, a little relieved that they both held up. The Ransom of Mercy Carter especially is just as good as I remembered.

I also read two other middle-grade historical fiction books that are slightly in the same vein. Blue Birds is about Roanoke Colony and split between the POVs of a colonist, Alis, and a Native American girl, Kimi. I picked up When Daylight Comes on a whim; it's set during the 1773 slave insurrection on St. John Island in the Danish West Indies. The book itself was written in 1985. Given that, it's definitely not perfect--the main character, Helena, is white and a magistrate's daughter captured by the rebels, so there's plenty that's intentionally problematic and then a couple of elements that are most likely unintentionally problematic, but its good points outweighed its flaws, at least for me. 

Rapture of the Deep took me a good couple months to finish, just because I got sidetracked in the middle. It's Book 7, which puts me a little more than halfway through the Bloody Jack series. I sped through My Bonny Light Horseman, Book 6, which was surprisingly short--Rapture of the Deep is much longer, but it's also full of pirates and undersea deep diving and sunken Spanish wrecks, so I couldn't help but love it. 

My biggest in-progress read is still Anna Karenina. I'm about 300 pages into my copy--up to Book III--and trying to read at least a chapter a day, usually in the mornings before I start on schoolwork. Making the reading a part of my morning routine has really helped me get back into the flow of it, which is great because I really do love this book. On the other hand, it leaves me craving shorter, snappier books because it...is very much neither of those things. But I've been enjoying leaving myself a pocket of time every day to sink into it for a bit. 
maplemood: (mosaic)
Circe by Madeline Miller: Well-researched and well-written--aside from a couple deviations it follows the myths pretty closely, so the plot isn't all too unexpected and the middle chapters dragged a bit for me. I'm also not a huge fan of the way Miller chose to explain Circe's decision to turn the sailors who arrive on Aeaea into pigsspoiler and a bit of a tw ) But the last few chapters, and especially the ending, made up for everything else. There's a bit of an unexpected twist that I really dug, and the very last scene is lovely.

Brother, I'm Dying by Edwidge Danticat: A memoir focused on the author's relationship with her father, who immigrated to the US when she was a toddler, and her uncle, whom she lived with in Haiti until she was twelve years old. I don't have much else to say about this one except that I really, really enjoyed it. It's very honest and some parts are brutal (in a nutshell: immigration policy in the US is massively screwed up and always has been; the same goes for US foreign policy), but overall the writing is matter-of-fact and warm. Love and deep family connections really shine through.

My Heart is Laughing by Rose Lagercrantz: A really cute chapter book translated from Swedish. It's also the second in a series, so now I want to read the rest.

On to Book Fourteen of War and Peace. If I'm being honest with myself I'll probably skim (or outright skip) the last here's-my-master's-thesis-on-history epilogue...or maybe not. We'll see. Either way, the end is in sight and I'm still not ready (though very much ready for Natasha and Pierre to admit their feelings to each other--again--and get together already).

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Alex

June 2022

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